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aug days
• greener, whiter, redder vegetables

jun days
• french & american recycled colored plastic

may days
• gray walk through sunny oakland

apr days
• color
concept &
theory widgets and apps

mar days
• red:
a portrait of a artist rothko

feb days
• talking
heads as figure/ground

jan days
• tanja's
black light dance party

ARCHIVE
2009

dec days
• tootsie roll pop wrappers colors & flavors

nov days
• stephen vitiello's four color sound

oct days
• atmospheric perspective

sept days
• a rainbow
of antioxidants
colors


aug days
• floor stain colorants

jul days
• minimal colors

jun days
• wildflowers cataloged by color

may days
• tennis court colors

apr days
• morandi's neutral colors

mar days
• grid colorists

feb days
• black as
film noir

jan days
• flood of toxic minerals used in paints

ARCHIVE
2008

dec days
• comple-mentary
colors

nov days
• kettle korn
packaging color change

oct days
• green fluorescent protein

sept days
• red palms - not green

aug days
• blue tunes

jul days
blue - textile museum

jun days
• “fiesta- ware”
colorants

may days
• “blue alchemy” hive gallery

apr days
• “sennelier” selecting
watercolours for travel

 

 

harris tweed


 

harris tweed: a mixed color contrast

 

chevreul
 

M.E. Chevreul comes to mind when describing the richness of woven fabrics. As the Director of the Dye Works for the Manufacture des Gobelins, a textile factory, in Paris, France (mid 1800's), Chevreul, an organic chemist, understand how colors interact and are relative to their surroundings. His observations and writings helped explain to the Gobelins textile workers the unpredictability of yarn colors.


   

 

 

 

 
 
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